Decimal Clock |
Original music by John Callaghan
Please wait and the soundtrack will start automatically (broadband recommended: approx. 1 minute)
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Setting: a parallel universe in the near future | |
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Time frame: one decimal hour | |
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Duration: exactly 10 minutes |
The streetlights all go out
on the dot of six point zero one.
Soon people start their creeping,
each attaching decimal watches
in 2/4 time, to the ticking, ticking, ticking from the street
and bodies begin tumbling
one by one from rigid houses
as the pace of people rattles out from door to car to street.
The ticking, ticking turns into a pounding, pounding beat…
Albert the electrician kisses his wife goodbye
and springs to action like an open fuse,
his fingers buzzing on the frizzled air
and his head crackling in the clouds.
Today is a good day, he thinks –
a day for new ideas and sparks of inspiration.
By the time his solar car plugs into its space,
it is 6.292 – work lights up
like a thunderstorm, and he flies straight in.
Up the elevator, floor by floor,
as wires, bulbs and numbers energize his power pack,
and there, in his personal cube of walls and glass,
he starts to etch his life into the circuitry…
A square away, Jeremy the programmer hasn’t been to bed.
As the clock hit 5.142, his weary digits crept
slowly down the clacking keys,
his head drooping by degrees,
till the glasses fell defeated from his face,
the numbers spinning in his head.
Now he wakes with a start at 6.333
and sees the rows of ones and zeros –
his static fingers swarmed across the screen as he slept.
Undo, undo, he thinks, swipes his hand
and knocks his cold coffee flying over the keys.
Crackles and sparks invade the air –
“Shit! Shit!” he spits, then looks to check that no-one else is in.
6.4 – too early for the boss – he sighs
and goes in search of squares of paper towel to soak up the numbers.
One by one the keys fizz – his work’s cut into him
as he jabs and swears to the decimal clock
that stutters on the wall like an answer phone.
Pick up! Pick up! His brain reacts
as the tears in his bloodshot eyes begin to form.
Another day, another subroutine,
another string to tie in knots
to the sound of beating from the street…
On the floor below, at 6.411, Emily starts her morning rounds.
0.2 per cubic metre, she’s allowed.
She sweeps and sighs, sweeps and sighs.
The palette of her grey dustpan
absorbs the colours of the day before
and the brush paints shapes of clean lines,
glistening in the dew of disinfectant.
She sweeps and sighs, sweeps and sighs,
switches buckets, wipes away footprints
and the grime of tilted cups.
Her mop scratches at surfaces
to the music that she’s heard a hundred times before –
the sound of beating from the street…
George at the call centre sits to start
at exactly 6.5am.
His headphones neatly attached, the mike touching his lips,
he flicks a switch to answer the blinking light –
the first blip in the queue.
The script on his screen flashes into life,
but he knows it in his head:
“Good morning. You are through to central systems.
Please give me your citizen number, postal code,
first line of your address, telephone and email,
after the bleep…”
Another confused customer rattles off a list, point by point.
He smiles as the woman gets the 14th digit wrong.
“I’m sorry,” he interrupts. “Please start again.”
He taps his nails in time to her:
t-t-t-two, th-th-th-three,
watching the telephone time stack up – he’s working on commission.
Someone once told him – but he didn’t buy it –
that these lines used to cost: zero point zero
But today is a good day, so after 0.1 he chimes in with
“Listen, Mrs Bell, I think by now
I’ve heard more numbers than I need.
How can we service you?
An electrician? Fridge on fire?
We’ll have one there in 0.5.
What was your home number again?”
He smiles – tap, tap, tap, tap
to the sound of footsteps from the street…
The beat for Leonard starts at 6.6.
He strolls along the pavement, ticking off
the numbers of stationary cars.
He walks and ticks, walks and ticks,
occasionally stopping for an “oh dear me”
as he spots repeat offenders for his list.
He checks a flashing meter, thinks
“In nought point zero five, that yellow car is mine,”
gets out his keypad, starts to type.
The second that the time is up, his ticket slips under the wiper –
that’ll teach him – too much waiting time –
got to keep on ticking –
and he skips on quickly down the street…
Albert gets the call at 6.659.
“Mrs Bell, 4257, 19th Street,”
George spits into his cellphone.
Albert springs to life, toolbox in hand, and sprints to the moving door.
“Beep beep” the elevator says, and down he falls,
watching his clock tick onto 6.666.
The lift shudders, stutters – he’s used to this.
It’s time to randomise – time to go.
The sound hits suddenly.
Emily’s bucket clatters
as she staggers, reels, holds onto a pole
that keeps the staircase up – her head spins
and her breath is quick and sharp.
Jeremy dives for cover in a pile of plastic cups.
But no support – he falls to the polished floor,
swears again, scrabbles for a nearby chair
and lifts himself to safety.
He hates the time to randomise – he likes to be himself.
He’ll just sit here till 6.7, then he’ll go and shave.
A good point three till the boss arrives, he sighs,
and lets his eyelids droop
to the sound of sheep bleating in the street…
George gets quite a buzz from 6.666.
Plugged in, he feels at one with every byte
that screams into his ears.
A community man, he thinks, and now he’s wired
to channel calls straight through his head.
A good day, now his fix is realised,
and he hurls himself into his work,
the smile of achievement frozen on his face.
“Good morning” he begins,
and starts to feed on the voices, licks his lips…
The lift doors open – Albert staggers to the street.
His eyes are red, his shirt in tatters
and his briefcase scattering onto the pavement.
The time to randomise has burnt his tie
and he leans to pick his detail up,
tottering and smoking like a light bulb.
Leonard sees the flash and runs across the street:
“Can I help you, sir?”
He picks up papers, passes them.
“You look a little fused,” he quips.
Albert thanks him, limps towards his bubble car.
Leonard smiles, thinks “But for the grace of God…”
His head is clear, and off he taps,
deciding that the time he spends
on walking and observing, breathing in and breathing out,
pays off in peace of mind.
He takes his ticket book and writes it down,
taps and sighs, taps and sighs.
Emily swishes up the stairs
past newly-fractured lumps of light.
She reassembles parts of lives
that briefly raced before her eyes
and mixes them together,
forming narratives from snapshots.
These shadows she has seen
are glimpses of a world too grubby
for an infinite amount of mops –
how can she clean them all?
At Jeremy’s desk, she starts to wipe. Whole viruses vanish.
She steps over the sleeping boy,
and thinks of Leonard pacing on the street,
slowing to a crawl as the decimal clock creeps on towards the hour.
She thinks of George, who, in his next official break,
will burst out, buzzing, bounding to his yellow car,
the one where Leonard placed his ticket.
George will scream.
And across town, Emily decrees, Albert puts the fridge fire out
and Mrs Bell is reconnected.
Albert knows his calling - he dodges random debris every day,
and if he can, he puts it back where it belongs.
Emily draws her dustbag strings, closes her eyes,
breathing in and breathing out
in time to the seconds stretching.
The clock strikes seven point zero zero zero zero
and for that single moment
she can sigh, and smile,
timeless.
An animated DVD of this poem is available - for details email David here.
For more poems, see his main page and the PID Wiki.